Mpc touch for sale portable#
Mpc touch for sale pro#

Where an MPC project can have multiple sections set up in different ways, with independence between tracks and instruments, aВ Force project follows aВ much more conventional DAW approach using one track per instrument and aВ single layout shared by all Scenes. Plug-in tracks, drum tracks and Keygroup tracks are all variations of instrument tracks that specialise in the Force's different internal sound engines. You make audio tracks (up to eight) for playing or recording audio clips and MIDI or CV Tracks (up to 128) for sequencing external instruments. The Force structures everything around Tracks. Being able to plug in mics and guitars directly made the Force my go-to device throughout my time with it.

This was the missing link on the MPC Live. Most notably there are two multi-format analogue inputs which can handle mic, line and instrument sources.

All other audio connectivity is at the back. The front edge presents aВ conveniently placed headphone jack with independent level control, and aВ cue mix blender. AВ column to the left has pad modes, clip functions, and track-based functions that work in combination with buttons below the grid. The lower deck follows the familiar 8x9 clip/scene launch grid, and has the same diamond centre cutout as the Push and the Launchpad to denote the quadrants. The top section has aВ 7-inch touchscreen, transport, navigation and mode buttons, and aВ crossfader. The panel is split across two levels, connected by aВ sloped section that puts the eight encoder displays at aВ nice viewing angle.

Mpc touch for sale portable#

It's not as compact and portable as the MPC Live, and sadly doesn't have an internal battery, but it's certainly less cumbersome than the MPCВ X. It's about twice as thick and pretty heavy, but remember this thing can replace your laptop and your controller. For comparison it has aВ slightly bigger footprint than aВ Push turned to portrait orientation. It looks aВ bit like aВ Push has been bolted onto an MPC Live, to the extent that when IВ first saw those leaked photos of it IВ assumed it was photoshopped. In fact the Force doubles as aВ Live controller, aВ job it can do at the same time as running stand-alone. This is not such aВ big departure when you consider that Akai created the first dedicated controller for Live (the APC40) and co-engineered the first Push. The Force doesn't share the MPC's name, but it does incorporate aВ lot of its technology, repurposed into aВ new framework that closely resembles Ableton Live's Session view. and it turns out they already had that product in mind. In previous conversations, the Akai team have been patient with me, suggesting that what IВ was looking for was essentially aВ different product.

But I've spent too long using grooveboxes and workstations based around clips, patterns and scenes. I spent aВ lot of time trying to get into the groove of MPC workflow IВ really wanted to like it because IВ love the self-contained hardware. But as innovative as they are, they consciously maintain the traditional working methods and project structure of the MPC, with its walled-off song sections. The current generation of MPCs, which started with the Touch then went stand-alone with the Live and MPCВ X, represent aВ big leap forward for the platform.

Mpc touch for sale pro#

Akai Pro have distilled the best of their technologies into aВ stand-alone clip- and scene-based performance and production workstation.